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eBook details
- Title: Between "Critique" and Propaganda: The Critical Self-Understanding of Art in the Historical Avant-Garde. The Case of Dada (Essay)
- Author : Journal for the Study of Religions and Ideologies
- Release Date : January 22, 2010
- Genre: Religion & Spirituality,Books,
- Pages : * pages
- Size : 277 KB
Description
The Meaning(s) of Dada The montage, the collage, the photomontage, the ready-made, or the happening have all developed nowadays into typical artistic techniques, occasionally cliched to the point of tasteless kitsch. Surely, since the beginnings of XX-th century mass-culture, these techniques have been, in various forms and concentrations, entering the mainstream production lines of consumerist cultural objects. Despite all these, to the usual contemporary reader of art literature, it is relatively unknown that these modes of expression and these techniques were, basically, inventions of groups of artists at the beginning of the XX-century, "revolutionary" artists that rebelled against societal conventions, political structures, and social norms, against bourgeois institutions, narrow habits and mindless ideologies, and finally, against the situation of the "art" itself, which they considered artificial, immoral, false, and depraved.